Music programs are added to this schedule throughout the year, please continue to check back for updated information. Unless otherwise noted, concerts take place in the Francis Scott Key Auditorium at 8 p.m. and are free and open to the public. For more information on concerts, please call (410) 626-2539.
Friday, February 14, 2014 - The Orlando Consort
Update: Concert will be held as scheduled. Please take precautions to be safe considering weather conditions.
The Orlando Consort presents their “25th Anniversary USA Concert Tour,” featuring a performance of Renaissance favorites plus songs from “Le Voir Dit” by Guillaume de Machaut. Hailed for their vocal skills as well as for the imagination and originality of their programming, the group is established as one of Britain’s most important chamber music ensembles. The Consort has performed at prestigious venues and events throughout the globe, including London’s Wigmore Hall, the British and Dutch Early Music Networks, the American Musicological Society Meetings in Montreal and Toronto, the Boston Early Music Festival, and Carnegie Hall.
“Why Bruckner?” A Panel Discussion of Bruckner’s Seventh Symphony
Tuesday, February 18, 2014
M aestro José-Luis Novo, music director of the Annapolis Symphony Orchestra, and St. John’s College faculty members will present “Why Bruckner?” a panel discussion of Austrian composer Anton Bruckner’s Seventh Symphony at St. John’s College. The event, which is free and open to the public, will be held in the Conversation Room in Mellon Hall on Tuesday, February 18 at 7:30 p.m.
Panelists are José-Luis Novo, music director of the Annapolis Symphony Orchestra; Steven Barzal, member of the ASO French horn section; Elliott Zuckerman, St. John’s tutor emeritus and author of “The First Hundred Years of Wagner’s Tristan;” Peter Kalkavage, St. John’s tutor; Gregory Freeman, St. John’s tutor and musicologist; and Eric Stoltzfus, St. John’s tutor and music librarian.
The panel discussion is co-sponsored by St John’s College and the Annapolis Symphony Orchestra, which will perform Bruckner’s Seventh Symphony at Maryland Hall for the Creative Arts on February 28 and March 1 at 8 p.m. Symphony tickets from $25; Students $10 (online code: STUDENTS). Purchase tickets at www.annapolissymphony.org or by calling the ASO Box Office at 410-263-0907.
Friday, March 28, 2014 - The Aulos Ensemble
The Aulos Ensemble will present "If Music be the Food of Love," featuring Baroque chamber music with soprano. Formed in 1973 by five Juilliard graduates, the Aulos Ensemble was heralded by the Washington Post for its "elegance and surprising variety" and for "helping to pioneer today's period-instrument movement. Thanks to groups such as Aulos, performances on early instruments no longer seem exotic or experimental."
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Music for the Mind
Since 1991, Eric Stoltzfus, a cellist as well as music librarian and tutor on the Annapolis campus, has brought a diverse array of live music to St. John’s, ranging from classical to jazz and just about everything in between. As organizer of the St. John’s College Concert Series, Stoltzfus, who grew up in a midwestern musical family, brings his love of singing and music to St. John’s. As the fall concert season approaches, Stoltzfus reflects on the St. John’s College Concert Series and the role of music in the Program of study at St. John’s.
How are Johnnies engaged in music and singing in the Program?
At St. John’s, students study music along with other subjects like physics and Greek as part of the all-required curriculum. From around the time the New Program started in 1937, music has played an important role at the college. Students sing together in Freshmen Chorus and sophomore music tutorials, so the understanding of music as a part of the liberal arts curriculum begins with the experience of making music with one’s own body and together with a larger body of students.
How does the St. John’s College Concert Series relate to the Program?
Our concerts actually work much like the Friday night lectures in that audiences come to the events in the same way—to be intellectually challenged and engaged rather than to be merely “entertained.” Many of the musicians have said to me after their performance, “Wow! The audience was really listening.” They enjoy performing for an audience that is so clearly engaged in the music.
Who attends the concerts?
I think our audience tends to be younger than at most other colleges. At St. John’s, music is an important part of the Program, and many students attend. In addition, much of the audience consists of members of the Annapolis area community. Concerts are presented for both the college and the community—all are welcome.
In what ways does music contribute to a St. John’s education?
A person who is making music or listening to it is grasping the deep roots of music in number, meter, ratio, and counting. But they are also partaking of its language, grammar, motions, and structural wholeness. Great works of human imagination have been conceived as music. How can we understand and give voice to this mystery? One way to think of the work of the music tutorial at St. John’s is to ask, “Can we experiment with tones like the experiments of laboratory science? In what way can we ask questions of a great work of music as we would ask of a great written work in seminar? Music is a liberal art. How can we treat it as such?”
How do you select artists for the Concert Series?
We present three concerts throughout the year; the series typically includes a string quartet, an instrumental soloist, and a vocal ensemble. Performers often play great works that we study in the Program. For example, Johnnies learn to sing and learn to love Palestrina and other early polyphonic music.